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Flamenco -- that showy, colorful dance of southern Spain --  is performed with rhythmic clapping and instruments. Swirling scarves and lacy skirts and ruffles are part of this Barcelona performance. Southern Spain, Portugal present emotional flamenco, fado, with flair, feeling, for deeply stirring shows STORY By CHRISTENE MEYERS PHOTOS By BRUCE KELLER Fado in Porto is a revered tradition, here at the Ideal Club de Fado, which is a formal setting, more concert hall. than bar. MUSIC AND DANCE have long helped us understand and interpret culture. These art forms skirt across language barriers and head straight for the heart. From the chants of the Buddhist monks to the native American's war dance, to the cantor's song to lead the congregation, music is a metaphor for what we stand for and believe in. The roots of flamenco are mysterious -- not unlike the dance itself. But the beginning of the wildly rhythmic accompanied dance seems to be in the Roma migration from Rajasthan of northwest India to Spain. That was sometime between the 9th and 14th centuries.  These migrants brought musical instruments --tambourines, bells, and wooden castanets -- to complement an extensive repertoire of songs and dances adapted through centuries to today's flamenco. IN PORTUGAL , fado's history is a bit more recent, around 1820. It can be presented in a formal program or organized restaurant act.  It can also unfold in impromptu fashion, a gathering among friends at a tavern -- usually after a number of adult beverages. We've heard fado sung in restaurants and cafes, gardens, bullfights, streets and alleys. Officially, though, it features a singer Flamenco is presented here, "Tablao Flamenco Cordobes," with spirited dancers, musicians and singers, who also provide rhythmic clapping and chanting. -- male or female -- and two guitarists. One plays the rhythm and bass guitar and one plays the lyrical Portuguese guitar, also called fado guitar. It's a large, resonating instrument with 6 pairs of strings and a pear-shaped harmonic box.  It was fun to see and hear so many very different fado shows -- a wild range -- from a formal setting in a guitar museum in Porto to a small, smoky club in Lisbon with only a few tables. We also heard fado at an outdoor restaurant where the singers moved from table to table. WE TOOK  in a total of five fado shows and concerts --  one nearly every other night -- during our two-week stay in Portugal. The venues ranged from that intimate cafe with lots of drinking, merriment and only a few tables, to the more dignified guitar museum venue in Porto with a glass of port daintily served  at intermission and the audience quietly respectful. In Malaga, we've experienced two wonderful flamenco shows at Tablao Flamenco Alegria Malaga. Flamenco Malaga is also inviting, a smaller venue in a restored mansion. Both offer changing repertoire and are worthy representations of this time honored artform.  Flamenco in Malaga: authentic, enchanting. "Keller and Cookie" at fado in A Baiuca, in Lisbon's famous old Alfama. In Lisbon we tried a fado show in A Baiuca, a lively tonic to jet lag. The house is small with only a few tables, and the lead singer is in her 80s.  It was a treat to watch her mingle with the crowd before the show, and during the breaks, as the musicians showed their instrumental stuff and gave her a break.   THE PORTUGUESE love their fado, as Spaniards adore flamenco. Presenting fado shows in their purest form is a specialty of the beautiful Casa da Guitarra.  The museum displays dozens of beautifully restored guitars which focuses on the plucked string instrument so connected to fado but offers much more than guitars. This fado singer is past 80 and still entertaining at A Baiuca. This unique museum developed an acoustically perfect place to hear the art form in its pure, traditional sense.  Deep in Lisbon's Al Fama, its oldest area, a fado club is indoors with a larger venue in the outdoor plaza. Before the concert, we admired various traditional guitars like the viola braguesa or the viola campaniça -- learning that viola means guitar in Portuguese. The acoustic and classical guitars, mandolins and acoustic bass guitars are all exquisite instruments built in Portugal.  A Severa fado show has been around since 1955, and is one of the best known in Lisbon. THEN IT  was show time as a singer delivered a dozen heartfelt songs -- eyes closed, shawl tightly held. The two art forms -- fado and flamenco -- are time honored and youngsters are taught reverence for them at an early age. Flamenco in Barcelona is the Spanish expression of emotion and soul. Here, a rousing show at popular Flamenco Cordobes. Many young flamenco dancers begin as students of their moms, aunties, even  grandmothers. Fado in Portugal reflects the culture's belief in destiny and a deep sense of fate. In Spain, flamenco speaks to the human condition, too. But in flamenco, singing is secondary to the dance with its astonishing tapping and clicking. The singing -- as in fado -- has a sometimes tormented sound -- poignant but sad.  Said our singer friend, "Flamenco can be a song of love -- for a partner or mother, -- it can also express pain and heartbreak." FARM WORKERS  tired of toiling, rejected lovers, lonely travelers missing their homeland -- all have flamenco and fado interpretations.   Flamenco Cordobes is perhaps Barcelona's most famous flamenco venue and we've made several pilgrimages over the years of visiting this famous city. It is located deep down and slightly off  "La Rambla," or Las Ramblas, that famous tree-lined pedestrian street winding nearly a mile through town. We like Cordobes because it offers delightful authentic food, then spirited flamenco and world class dancers and singers. Says our friend, "There's a magic to flamenco because it comes from deep emotion." In flamenco, the phrase is "el duende," meaning mystery, excitement, magic. IN FLAMENCO, each story comes to life in song, guitar and dance. As with fado, all this is usually accompanied by copious wine and sometimes tears, but always applause, shouts and whistles.  When visiting all three cities this piece highlights -- Lisbon, Porto and Barcelona -- we recommend the invaluable city cards, which save time and money on venues and transportation and give entertainment options.  More information or to book fado in Porto and Lisbon, and flamenco in Malaga or Barcelona: www.barcelonaturisme.com     visitbarcelona.com www.flamencomalaga.com www.portocvb.com   www.portocitycard        www.lisboacard.org www.casadaguitarra.pt   info@asevera.com   www.portocvb.com     www.visitlisboa.com   www.tablaocordobes.com www.getyourguide.com/lisbon-l42/fado-shows-tc273/ . BEST BET: Southern California theater lovers are laughing themselves silly at "Into the Breeches!" at North Coast Repertory Theatre. A crack cast, lively pace and touching story coalesce in this romp set in WWII New England. With the men at war, woman take over a struggling theater to keep it afloat while the fellas are "over there." Gender-bending wisdom and humor --  smoothly directed -- make this play both timely and timeless. The varied Rep season showcases classics, new work, comedy and musicals -- "Pippin" to "The Cherry Orchard." For tickets, call 858 481-1055.   Or:   northcoastrep.org  The run is through Nov. 13.   Amsterdam's canals are legendary, and form the heart of this picturesque Dutch city. We spent four days on these waters, here the "Seven Sisters" on the Amstel River. UP NEXT : Amsterdam beckons. We move north in Europe, setting off on the canals which we recently explored for four sunny early autumn days. The famous canals of Amsterdam are a lifeline for commerce, tourism and socializing. We look at them and their amazing construction, and catch native Dutch folks and tourists out on a sunny fall day. Come along, enjoy the water.  Meanwhile, remember to explore, learn and live and catch us weekly for a fresh spin on travel, nature, the arts, family and more: AND PLEASE,  share the links. www.whereiscookie.com

Rick Cosgriffe's decades long fascination with Oriental brush stroke painting shows in his graceful and detailed work. These jars are inspired by the wildflowers of his native Montana. Sumi brush painting influenced Montana born artist's unique pottery style PORCELAIN COLLECTION GOES FOR SALE AS ARTIST MARKETS COLLECTION OF VINTAGE SHOW PIECES STORY By CHRISTENE MEYERS PHOTOS By BRUCE KELLER Artist Cosgriffe's fine porcelain pottery caught the eye of New York Times art critic John Canaday, who called his pieces "elegant -- still wet with the feel of the brush." PORCELAIN   has ancient roots in the world of art. And for many years, a Montana native has been carefully creating fine arts porcelain show pieces. Artist Rick Cosgriffe is  retiring his pottery studio, selling a collection of unique pieces he has crafted since the 1970s during  three decades at the potter's wheel. Rick's hand painted bowls, vases and platters reflect his study of sumi painting and his love of nature and the American west as well.  The one of a kind collection spans his entire career, showcasing his evolution as an award winning potter, based for many years on the west coast.  Rick in Europe last month with his brother-in- law Bruce Keller. If this sounds boastful or braggadocious, it's because I'm his sister and a fan.  Cherry blossoms and birds are frequent motifs in Cosgriffe's art, here on a platter featuring the faithful chickadee. I've watched him grow as an artist since we were children drawing birthday cards. Rick left Montana in the early 1970s to apprentice at the Hayes Pottery Studio in Point Arena, California.  Jim Hayes, a native New Yorker and my brother-in-law, invited Rick to study ceramics and learn the craft. It was soon apparent to Jim and his wife, my late sister Peny, that Rick had tremendous talent. As his reputation grew on the west coast, I helped promote his art and sell his porcelain at art fairs and juried shows, including Yellowstone Art Museum. One of our patrons was the wife of the owner of the Seattle Seahawks. She spent thousands on vases,  platters, lamps, jars and bowls and promoted Rick's work in high-end galleries. IT IS WITH  mixed emotion that I announce Rick is parting with his collection at a show and sale this weekend (details below). I will never part with my collection, acquired during many art shows together. My pay each show was a work of art so my collection features Rick's evolution.  I have collected my brother's hand painted porcelain for decades. These lovely jars hold  teas, coffee and sugar for hummingbird nectar. When I interviewed New York Times art critic John Canaday,  I invited him to our home to show him Rick's pottery. "It has elegance, and enduring beauty," he said with admiration. "It is still wet with the feel of the brush."  FOR YEARS, Rick's pottery was shown in galleries from San Francisco to Taos, Denver, Whitefish and Red Lodge, and in Billings at Toucan Gallery.  After suffering "burnout" from the rigors of production and shows, Rick's career segued from pottery to nature  photography and writing, a move to Montana, return to university and a degree in counseling. He worked for years at Passages in Billings, helping troubled women return to society and productive life. He retired from Passages but developed another arts career, collaborating with his partner Jane on calendars, mugs, photographs and journals.  Despite  dealing with Parkinson's, he remains an accomplished artist and writer, but no longer creates porcelain art. He jogs daily, and friends from our hometown of Columbus, Montana, remember his excellence as an athlete and devoted runner. Rick Cosgriffe with his Montana photos. They will  be available this weekend, along with his porcelain MY BROTHER'S art is informed by a lifelong interest in travel, in art of many cultures and a particular interest in sumi painting. In reflecting on his work with porcelain -- known for both its delicacy and durability -- Rick pays homage to porcelain artists of centuries past. "Japanese, Chinese and Korean artists worked with classic celadon glazes." Porcelain, he adds, lends itself to graceful glazing "and is an excellent canvas for brush painting." Potters know how difficult it is to paint on curved surfaces rather than a flat canvas. Thus Rick's work reflects both talent and patience. It's been my pleasure to be part of my brother's artful world for many years. I encourage admirers and collectors not to miss this weekend's show. I'll be the one with the hanky. Art show and sale details: Buyers can browse and collect a piece of Cosgriffe's unique, one-of-a-kind porcelain artwork during a three-day show this weekend at 1311 Hardrock Drive, Billings, Montana, 59105. His elegant work will be displayed on his back patio, during a neighborhood sale. Times are  Friday, Sept. 6, 8 a.m.-5 p.m.; Saturday, Sept. 7, 8 a.m. to 5 p.m.; Sunday, Sept. 8, 8 a.m. to 4 p.m. The complex problem of over-tourism is the focus of our next column.  We experienced protestors and understand. UP NEXT: Tourists go home! We felt the frustration and anger of locals on a recent return to Europe. There we were -- enjoying ourselves, spending money, taking in familiar and new sights. But not all the locals want us in southern Europe. We understand their feelings, because tourism has done damage, along with providing income for many.  This "Tourist Go Home" mentality was on both signs and on the lips of protestors during this most recent trip to Europe. It's a complicated issue. Over-tourism is putting pressure on health services, waste management, water supplies and housing at the expense of residents. We delve into the problem in the next piece. Meanwhile, remember to enjoy, live and learn, and catch us weekly for a fresh spin on travel, performance, nature, family and more:  www.whereiscookie.com

Years of research, travel, plays, and music inform novel about early days of the talkies Editor's note: This story first appeared in The Billings Outpost before the novel went out of print. Plans are underway for a second edition. Please stay tuned and let us know how many copies you'd like. By David Crisp EDITOR, BILLINGS OUTPOST Above, Christene Meyers reads to fellow travelers aboard Celebrity's Millennium, one of a half-dozen readings delivered on ships. The following story first appeared in a respected Rocky Mountain newspaper, The Billings Outpost. It was picked up by the Last Best News, a nationally known on-line publication edited by award-winning writer Ed Kemmick featuring Montana news and interesting personalities. AFTER 40 years in journalism, Christene Meyers decided to start making things up. The result is her first novel, “Lilian’s Last Dance,” which she introduced to readers here as part of Big Read events in Billings. Writing the book was, she said in an interview, the hardest thing she has ever done. Bay Area writer and editor Kathleen Mohn introduces Christene Meyers at a reading in Oakland. Meyers is on an international tour for the novel. She read in Europe this fall and will travel to the Far East for readings in March. More of Meyers' writings at www.whereiscookie.com Meyers’ fluid writing style is well known to longtime Billings residents. A native of Columbus, she got her first byline in a children’s magazine when she was 14 years old. In high school, she contributed to a Billings (Montana) Gazette column that featured voices of area teenagers. That eventually led to a full-time job at the Gazette, where she started as a night police reporter, while going to college -- both Rocky Mountain College and the now Montana State University Billings. “I covered all the major beats the paper had at the time,” she said. She gradually worked her way up to movie reviews, then she was for many years the arts and travel writer for the Gazette before retiring in 2004. She interviewed hundreds of internationally known actors, musicians and writers, and was active in many ways in the Billings arts community, spearheading the effort to save the Fox Theater, now the Alberta Bair Theater. For a fourth-generation Montanan from Columbus, the career choice was not as unusual as it might sound. Her parents gave their children music and dance lessons, plus boxing lessons for the boys so they could handle any kidding they got at school about it all. Her mother was an opera fan and musician, and Meyers began singing and tap dancing at age 2 or 3, belting out songs like “The Good Ship Lollipop” and “Oh, You Beautiful Doll.” At last week’s reading, she sat down at a piano to play a medley of original songs for a musical version of “Lilian’s Last Dance,” with Marian Booth Green providing the vocals. In later years, that love of culture translated into an inextinguishable urge to travel, a habit that paid off when it came time to take up fiction. The novel covers settings ranging from France to England, New York to California, with stops at most points in between, including a reference to Corsicana, Texas, a few miles from where this reporter’s ancestors grew up, and, of course, her native Montana. Meyers and William Jones Spent many years researching the novel. “Our research was meticulous,” she said. Meyers visited all those spots with her late husband, William Jones, who was a retired, well known film critic for the Arizona Republic before his death of cancer in 2005. “He went to that great theater in the sky,” she said. But right up until days before he died, sitting with an IV at his computer, he urged Meyers to finish their collaborative novel. They had put in too much work to give it up, he told her. He is listed as co-author of the novel, and Meyers said it was a true collaboration, an extension of ideas both had before meeting. They worked out the characters and plot together, she said, and there really is no way to tell now who gets credit for what parts. Meyers' grandma, Olive Nystul, played for the silent movies and helped inspire the Lilian character. Actually, the book’s roots go back even further. Meyers drew inspiration in part from a great aunt and from her grandmother, who refused to marry her grandfather until he raised $1,500 which in 1912 was a huge sum, She also requested he provide a piano, which he did. Meyers' first husband was Bruce Meyers, a well known actor, poet and professor at Montana State University Billings until his death in 1992. They had kicked around the idea of writing a musical about a Western woman sharpshooter, a sort of “Annie Get Your Gun” but with a main character who was more worldly, more international and sexier than Annie Oakley. Meyers died of an aneurysm in 1992. Later, Meyers and Jones took extensive notes on the novel, but she abandoned it for a time after Jones died. It was her second husband’s death and she needed time to heal. She resumed the book after a box of notes and floppy discs literally fell off an attic shelf and hit her current partner, photographer and engineer Bruce William Keller, in the head. Christene Meyers and her partner Bruce Keller in the Hollywood Hills as they researched the novel. The finished novel is set around the turn of the last century, extending into World War I. It’s about an ambitious British-born film buff in the silent era, Walter Brown, who travels America showing short films and putting on vaudeville acts, trying to stay a step ahead of goons working for inventor Thomas Edison, who was attempting to squeeze out competitors in the motion picture business. Walter meets the lovely title character, a French woman named Lilian Dumont, and recruits her from Buffalo Bill Cody’s Wild West Show as an actress and sharpshooter. With the rest of Walter’s crew, they travel America and Europe, entertaining crowds with shooting tricks and films, and gradually moving toward more ambitious work in early-day Hollywood. Alice B. Toklas and Gertrude Stein are cameo characters in the novel, interacting with the fictional characters. Along the way they encounter bank robbers, gunfighters, journalists, lawmen, a Peruvian artist and dozens of other characters, including 22 cameo appearances by famous personages of the time: Gertrude Stein, Pablo Picasso, Bat Masterson, Lillian Gish and Buffalo Bill himself, among others. They also bump into a range of disasters, including time on the front lines in World War I. It’s a picaresque tale for most of the way, and eventually a love triangle develops—really more of a quadrangle. One of the characters is motivated more by revenge than by affection. From there the story gradually builds toward a rollicking climax, which won’t be revealed here except to note that guns blaze. Meyers' many global readings appear to delight listeners, and it may be that the book works better as a series of anecdotes than as a tightly plotted novel. Besides the book tour and classes, Meyers is taking courses at Sarah Lawrence in poetry and play writing, working on an eventual doctorate in poetry and playwriting. She and Keller write a blog at  www.whereiscookie.com . (Cookie is a childhood nickname.) She is working on the musical version of "Lilian's Last Dance," and splits her time between California and a Montana place near Nye. She still travels the world and attends the theater regularly. And she gives Writer's Voice workshops, inviting students to bring photos of ancestors. Her classes include exercises to encourage participants to trust one another. It’s just, she said, that she has a lot she wants to do "before I’m in my urn.” She even still does a little freelancing, she said, but is finding that she has to cut back. “I’m learning one small thing in my 60s,” she said, “that I can’t do everything.” Writer and editor David Crisp has worked for newspapers since 1979. He has been editor and publisher of the Billings Outpost since 1997. The Outpost is published every Thursday and is available free all over Billings and in nearby communities. The Last Best News is an independent online news site focusing on the culture, people and places of Billings and Eastern Montana. Its founder, Ed Kemmick began his newspaper career in 1980. “The Big Sky, By and By,” is his collection of journalism, essays and a short story. Available on Amazon or by contacting the author direct

Hollywood special effects master Andy Schoneberg and Christene Meyers at the dedication. Schoneberg did the bronze of Bruce Meyers. The three acted in several theatrical productions. Flanked by Andy Schoneberg's bronze of Bruce Kemp Meyers, his widow Christene "Cookie" Meyers welcomes an overflow crowd to the first of 10 "Bruce Bash" festivals honoring the late professor, in May of 1993. POET ALLEN GINSBERG HEADLINED GARDEN DEDICATION TO HONOR HIS ONE-TIME STUDENT Famed poet Allen Ginsberg christened the Bruce Meyers Poets'  Garden in May of 1993, singing, accompanying himself  on several instruments, appearing at Writer's Voice. STORY By CHRISTENE MEYERS PHOTOS ASSEMBLED, DIGITIZED By BRUCE KELLER ON A BALMY  spring day in May of 1993, poet Allen Ginsberg helped celebrate the life and legacy of Bruce Kemp Meyers. The famous beat poet paid homage to the popular actor and teacher who once took a workshop from him and taught his poetry for a quarter-century.  It was a day I'll never forget, full of talent, emotion and love. When my husband, Bruce Meyers, died suddenly of an aneurysm in February of 1992, I vowed to honor his life and contributions to culture and education in some unusual way. WE WERE in Las Vegas on President's Day weekend, about to interview and photograph Frank Sinatra when he developed chest pains.  He died in Las Vegas at Desert Springs Hospital on Flamingo Road, not far from where we were staying at our favorite Sands Hotel (imploded to make way for the Venetian.) As therapy, for 15 months after Bruce's death, I designed the Bruce Meyers Poets' Garden on the campus of Montana State University-Billings.  Bruce taught creative writing and English there for 25 years, after receiving his MFA at Kent State University and "going West, young man." Architect Ted Wirth, left, and then college president Bruce Carpenter confer as the Poets' Garden took shape. WE MET IN  1967, the same year he began his teaching career, at a dinner party hosted by his colleague and my friend Sue Hart, now also sadly gone.  Sue knew we were both musical and enjoyed acting and theater. She hoped we might hit it off.  She was right.  Our 25 years together included global travel and hundreds of plays. Together we acted and performed in more than Billings 50 productions, from "Cabaret" to "Our Town," "Man of La Mancha," "Play It Again, Sam" "Promises, Promises," "I Do! I Do!," "Annie," "The Pirates of Penzance" and many others at Billings Studio Theatre, der Schwartzwald Dinner Theatre and the old Fox, now the Alberta Bair Theater. Our endeavors helped raise the $6 million to save that building. Poet Allen Ginsberg with, from left, sisters Christene  Meyers, Robbie Townsley, Misha Minesinger. My musical family and our large circle of theater and arts-loving friends adored Bruce, so I had no trouble assembling a stellar cast 15 months after Bruce's death to christen the garden.  I designed it with the help of celebrated architect Ted Wirth, in consultation with Bruce Carpenter, president of the college and a member of the faculty poker club which met monthly, sometimes at our home. THE GARDEN  took shape, with Ted's creative design incorporating both formal and natural elements -- benches, river rocks, aspen trees, the aspen trees my late husband loved.  I wanted open areas and places for students and faculty to stroll, sit and ponder.  A grassy area would welcome professors and their classes to create art and writing, as Bruce had done with his students in that very spot for many years. The Cosgriffe clan assembled at Corby Skinner's home during a reception for poet Allen Ginsberg, who extended his Billings Writer's Voice stay to be part of the dedication.  I wanted poetry, Bruce's passion when he wasn't acting or teaching. Ted loved my idea of  incorporating engravings of several of the poems on marble and granite.  Sculptor Lyndon Pomeroy would create a metal sculpture of our beloved Airedale, Gandalf. Finally, I wanted a bust of Bruce.  I called our mutual friend, now noted Hollywood special effects wizard Andy Schoneberg to do the bronze. "It was an important way for me to say farewell to Bruce," Schoneberg recalls, explaining how the lifecast he'd made for Bruce was critical to his crafting of the bronze. Schoneberg's lifecast was used by Bruce for 17 performances of the Der Schwartzwald production of "Annie."  Bruce played the role of Daddy Warbucks and Schoneberg made a Corby Skinner and Christene Meyers finalize the introduction of poet Allen Ginsberg at the dedication of the Bruce Meyers Poets' Garden on the MSU-Billings campus, May, 1993. life cast to use in crafting a durable latex bald cap for Bruce’s character. "I used that cast later to take key measurements to sculpt the MSU-B bust," Schoneberg said in an interview. He is proud that the bust is on the Smithsonian Institution's Art Inventory. The Bruce Meyers Poets' Garden  photographed before flower planting this April. Geraniums petunias will follow. --photo courtesy MSU-B Foundation  AS THE DEDICATION  approached, family and friends made plans to fly in from all over the U.S. A wonderful ensemble of actors, poets, playwrights, singers, dancers and instrumentalists performed for a two-day fete, highlighted by Ginsberg's readings and musical presentations. Writer's Voice Billings liason Corby Skinner recalls, "He wanted to spend a couple days in Montana. We took him to a ranch, and had a wonderful reception at the Castle.  When he heard about the Bruce Meyers garden dedication, he immediately wanted to be part of it." On the "Godfather" trail in Savoca, Italy, are Cookie and Keller, aka Christene Meyers and Bruce Keller.  The town is still relatively quiet, but now relies on tourism  as well as farming for its income.  It also honors Coppola in a dramatic sculpture. UP NEXT:   Join us on the trail of "The Godfather," in Savoca, Italy, where  the Sicilian towns of Savoca and Forza d'Agro outside of Taormina were used for many of the scenes in Francis Ford Coppola's award winning film. Coppola is remembered fondly by the locals of this still quiet village, which stood in for Corleone, now much too developed to pass for the quiet little "Godfather" town depicted in the film. We'll visit Bar Vitelli and the church Michael was married in. Remember meanwhile to explore, learn and live, and catch us Fridays for a novel look at travel, the arts, family, health and nature.

Christene "Cookie" Meyers at the dedication of the Bruce Meyers Poets Garden, May, 1993, on the campus of Montana State University-Billings, then Eastern Montana College. Three of the professor's poems etched on marble were written on the memorial site. The garden is listed in the Smithsonian's list of public art (see link below.)  STORY By CHRISTENE MEYERS PHOTOS By BRUCE KELLER Architect Ted Wirth and EMC president Bruce Carpenter discuss the project at the groundbreaking in fall of 1992. EACH SPRING,   Bruce Kemp Meyers and his writing students left the indoor classroom for an inviting outdoors venue.  They gathered on the lawn near the Liberal Arts Building on the campus of then Eastern Montana College. It proved a tradition which Meyers continued for 25 years. He joined the class in writing poems, short stories and essays. They talked about their goals, shared ideas. It was a special place for my talented, nature loving husband, a way to greet spring and celebrate his gifts in a comfortable place. The late poet Allen Ginsberg made a spectacular guest appearance at the dedication of the "Bruce Garden."  BRUCE'S STUDENTS  loved these outdoor writing workshops; so did he. So when he passed away suddenly in February of 1992, I knew precisely where I'd like his memorial to be: On the lawn outside the L.A. Building, where he'd logged happy hours each spring since his first year on campus in 1967 until his death, in February, 1992. The memorial includes poems written on the site. That idea grew to include a garden and poet's corner to honor the creativity that unfolded there. I wanted it to be a place for visitors to remember him, and a haven to welcome other artists. I CALLED my friend, architect Ted Wirth, who had followed our theater career. We'd also served on boards and committees and I'd interviewed him for the newspaper. He loved the idea and wanted to make my dream come true.  The two of us approached then EMC president Bruce Carpenter, also a good friend, an original thinker who played poker with Bruce and a group of other professors.  Corby Skinner, left, and Christene Meyers discuss the program on tap. Poet Allen Ginsberg was waiting in the wings.  HE, TOO , liked the idea.  So the process began. Over coffee, Ted and I created a space designed to relax and inspire. The front has a formal look, enhanced by granite and marble.  At its center is a bronze of Bruce sculpted by our longtime friend, fellow actor and Emmy-winning Hollywood special effects artist Andy Schoneberg.  A metal sculpture of our Airedale dog was created by artist Lyndon Pomeroy to illustrate one of the poems, "Gandalf." On the garden's sides are benches. A welcoming archway was inspired by our trips to Japan. Perennials and lilacs flank a brick wall, accented by a Jay Montague sculpture.  Aspen and river rock create a woodsy look. An overview of the Bruce Meyers Garden and Poets Corner. THROUGH the years, the garden has become a favorite spot of faculty, staff and students. Some take their lunch break there. Nearby residents walk, run and bike by daily.  Several professors carry on the tradition of convening  classes there -- to study art, language, philosophy and of course, writing. Bruce Kemp Meyers is remembered with a bronze, poems and a garden. A 10-year event, the annual "Bruce Bash," brought together writers, musicians, actors and artists to celebrate the arts and honor Bruce. But the first arts festival celebration in May of 1993 was hard to top. Headliner was poet Allen Ginsberg, who was in Billings for a Writer's Voice appearance. When he heard of the dedication through Corby Skinner, he extended his Billings visit to participate. Also on tap were Marcia Spalding's bellissimo! bell choir, Alice Lyon's Community Youth Chorale, actors from Billings Studio Theatre, Starfire, and students and faculty from both MSU-B and Rocky Mountain College. The Nell, Roberty, Edwards Trio played jazz to wild applause and Ginsberg's 45-minute performance brought down the house. Sculptor Andy Schoneberg and a windblown Christene Meyers at the dedication of the garden. YELLOWSTONE Public Radio's Marvin Granger and his staff broadcast the event live on Yellowstone Public Radio. Director Skip Lundby  kept the program running smoothly.     A book of Meyers' poems, "Ventriloquist in the Rain," debuted.  It is still available -- in its fourth printing. Funds from the first edition helped establish the Bruce Meyers Scholarship Endowment at MSU-Billings.  Contributions are welcome at the college's Foundation (see link below.) One of the recipients shared the stage with Bruce.  She played an orphan in our dinner theater production of "Annie" and said she was inspired to pursue a teaching and English career by Bruce, who played Daddy Warbucks. "He wished us to 'break a leg' before each performance. I couldn't understand why he would say that when we had so much dancing to do," she wrote in her thank-you note.) Alice Lyon in blue conducts her Community Youth Chorale at the first annual Bruce Kemp Meyers Arts Festival (the Bruce Bash) in May of 1993. MEANWHILE, the garden - like all growing things -- evolves and changes.  The spirit of its creation remains:  a calming, inclusive place on campus where people come -- alone or in groups -- to contemplate the contributions of a talented man who influenced many. "Bruce Meyers: poet, actor, teacher," reads the inscription.  May his memory live on.   Here is the Smithsonian Institution's link to the garden: https://www.waymarking.com/waymarks/WM847Y_Bruce_Meyers_Billings_Montana Here is the university foundation's link to the English scholarship in Bruce's memory:   https://msubfoundation.com/make-a-gift/donate-today/ (A field asks the donor where he'd like to direct a gift; type in Bruce Meyers Scholarship. Contributions are tax deductible and help fund annual gifts to English majors. The awards began in 1993. The Foundation also maintains the garden, as per a 1993 agreement.) Lady Gaga and Tony Bennett "Cheek to Cheek" tour, in a spectacular Bruce Keller photo from our orchestra seats.   UP NEXT:  While we're remembering and saluting a life in the arts, another performer comes to mind.  Singer Tony Bennett will turn 95 this August, and we honor his life in the arts, noting his struggle with Alzheimer's.  The writer of this column has been a Tony Bennett fan since childhood, listening to her parents' albums.  Bruce Keller and I have seen him in concert five times, three times with Lady Gaga. His art has kept him lively and engaged. Meanwhile, remember to explore, learn and live and catch us each week for a refreshing look at travel, entertainment, nature and family: whereiscookie.com

AUTHOR THANKS READERS FOR PATIENCE, LOVE, SUPPORT!   Extra : "Something in addition to what is due, expected, or customary" Roll 'em, friends! "Lilian's Last Dance" is on Amazon eBooks today!!! Hooray.  HERE'S A  brief "extra." We are thrilled to tell you that "Lilian's Last Dance" is finally up on Amazon eBooks. This has been the longest 20 hours of my life, since we received Amazon's "thumbs up" on the final edit at 9:11 a.m. Wednesday. Here's the link: Click Here ==> Lilian's Last Dance Writers Bill Jones, Christene Meyers  on the Queen Elizabeth II, researching "Lilian's Last Dance" in 1998. Hope you have as much fun reading it as we've had writing it, designing it, following its characters around the world, editing it with painstaking persistence and getting it properly formatted for publication. As our agent/guru says, "It's like giving birth.  And we're the midwives."  I'm recalling Butterfly McQueen's famous line in "Gone with the Wind": "Miss Scarlet, I don't know nothin' 'bout birthin' babies! ...... Christene Meyers (Cookie) and Bruce Keller in the Hollywood Hills, on the trail of the characters in the just out novel. But I do know plenty about performance, anticipation, waiting in the wings, stealing that extra bow. Very happy at this moment, and grateful for all the support and encouragement.  "Lilian" has been a long time coming! Let's hope readers believe it worth the wait and share their comments on Amazon! So happy reading. We'll be blogging about the ups and downs of writing, researching and getting the novel into print -- from its 1997 inception to its completion last week. COMING SATURDAY:  Where we went, how we crafted the characters in "Lilian's Last Dance." We followed the action from the rain forests of Peru to the Hollywood Hills, Gertrude Stein's art salon in Paris and more. Remember to explore, learn and live. Carpe diem! Tell your friends about www.whereiscookie.com

QEII lecturer Josh Logan gave tips A poster for "Annie Get Your Gun'' inspired the creation of Lilian in "Lilian's Last Dance." on making a character come alive Click here ==> Lilian's Last Dance STORY By CHRISTENE MEYERS CROSSING  the Atlantic on the Queen Elizabeth II, in the summer of 1986, famed Broadway producer and director Josh Logan was one of the guest lecturers. He was one of my idols, for I'd grown up with the music of "Annie Get Your Gun," and "South Pacific," both of which he directed. My late husband, Bruce Meyers, an accomplished actor and creative writing professor, encouraged me to approach Logan and express my interest in his legacy and his passion:  musical theater. Writers Bill Jones and Cookie were characters in a seafaring "drama," crossing on the famed Queen Elizabeth II, where earlier Christene and Bruce Meyers met, dined with and interviewed brilliant Broadway director, Josh Logan. Famed Broadway director Josh Logan took time with Christene Meyers years ago on an Atlantic crossing. HE WAS GRACIOUS,  and delighted to visit. Although he was elderly, and sometimes used a walker or wheelchair, he came alive when talking about theater. I took notes on his lively lectures and several private conversations during that crossing.  He died two years later, in 1988, leaving a legacy to the world -- and invaluable advice for this reporter! Gertrude Stein and Alice B. Toklas made many Atlantic crossings, and are cameos in "Lilian's Last Dance."  We studied their lives. The iconic Eiffel Tower plays a small part in "Lilian...." too. LOGAN TOLD ME that research and "reinvention" are critical to making the characters come alive. "Know your characters' history, but make them your own," he said. Before "South Pacific" he studied James Michner's "Tales of the South Pacific," which inspired the musical. He also visited the islands many times. The Paris cabaret scene inspired us to envision what a show might have been like in Paris 100 years ago . TAKING  a cue from that wonderful week on the ocean with a genius Broadway great, the creation of "Lilian's Last Dance" took me on many journeys. Bruce and I, then Billy and I, and later Keller and I, traveled to Hawaii, England, France, Australia, Peru and many mainland North American states. The work survived both the death of Bruce and of my second husband and "Lilian" collaborator, Bill Jones. Before he passed, in 2005, we filled notebooks with useful detail.   WE COLLECTED maps, visited museums and read a dozen books about silent movies, vintage travel, art and World War I. (Part of the action unfolds on the Front.)  We located Gertrude Stein's salon in Paris, 27 rue de Fleures, where she, Alice Toklas and brother Leo entertained. We loved people watching in the fabulous Musee d'Orsay, where several of the Steins' paintings now hang. Paris and the Moulin Rouge attracted a return visit to Paris. The shows and people there inspired Paris detail in the book. We booked shows in the  much photographed Moulin Rouge, studying both audience and performers.  All helpful in making the characters come alive in believable settings. Famous Parisian gardens, avenues and night clubs make appearances in "Lilian."   WE TRAMPED  all over Paris -- from the Left Bank to Montmartre to the Jardin du Luxembourg, to the Tuileries Garden, all of which were frequented by Stein and her lover, muse and secretary. We set the scene for our character, Elfego Fuentes, to call on Stein, along with "real life" writers Ernest Hemingway and Ezra Pound.  By chance, Billy and I met an elderly woman whose aspiring painter grandmother was taken under Stein's generous wing. She provided marvelous detail. PAINTER ELFEGO,  one of the novel's major characters, is a South American born artist whom Stein befriends in our story. So we booked an Amazon cruise to find a village where Elfego might have grown up.  We flew to Quito, Peru, then cruised through the rain forests to Brazil. We were smudged by witch doctors and deep in the jungle located a village with structures built in the early 1900s.  This would be Elfego's birth place! More on that soon.... *********                                     Julian, California, has apples aplenty.  We hope "Lilian's Last Dance" is the apple of your eye! WE'RE EXCITED  about early reviews for "Lilian's Last Dance." Here's one from Elle Pieffe, of Rome, who liked the painter Elfego: "Lilian's daring, beautiful soul shines in the brush strokes of her Peruvian soul mate artist, in the sizzling shots of a western gunfire duel, in the silvery rain blessing Paris in winter. The mystery fades into a portrait of a person we'd love to have met.....and won't forget! You'll love this book, absolutely. (Find "Lilian's Last Dance" on Amazon eBooks.) COMING SOON: Hitting the road in Europe was part of the research for the revisiting and rewriting of "Lilian's Last Dance."  But hitting the road in America provided fun, too.   Several times, we took a break to Julian, California, one of our favorite get-aways. We love the fine dining, restful settings, fun shopping, ice cream and delicious apples for the world's best pie.  Remember: carpe diem, so explore, learn and live and visit us Wednesdays and weekends at: www.whereiscookie.com

NOVEL TELLS STORY OF EARLY AMERICAN FILM, STAGE STRUCK PERFORMERS, LOVE, REVENGE, WITH WORLD TRAVEL AND MORE -- Montana outlaws, California connections, Paris, London, actors, painters, bank robbers   Lively characters from France, England, Hawaii, Australia and the U.S. are featured in "Lilian's Last Dance," on its way to eBooks Wednesday! Editor's Note, 2025: The novel is available by contacting the author directly at: whereiscookienow@gmail.com STORY By CHRISTENE MEYERS PHOTOS By BRUCE KELLER "Lilian's Last Dance'' is coming your way via Amazon! It's a story of a traveling rep company enroute to Hollywood! WE ARE  awaiting the publication of the novel, "Lilian's Last Dance." The cyber elves are apparently working overtime in the print shop. We have our copyright, ISBN number, publishing ducks in a row, final edit approved by Amazon. It should be "out there" for all of you later today. The  eBook will soon be in Kindle format at Amazon. But you need not have a Kindle to enjoy it.  Keller uses an LG tablet to read e-books.  It's not a Kindle but works fine. When the book is "up" at last, search Amazon for the application appropriate for your device, download it, install it, and you'll have a new icon with which you can read Kindle e-books and "Lilian's Last Dance." Stay tuned, and e-mail us if you need additional advice or coaching: highlowchap@gmail.com Eiffel Tower -- Paris plays an important role in the novel. MEANWHILE, HERE'S the novel's skinny: War threatens to rearrange the world’s boundaries as an unlikely trio discovers love crossing all lines. A dashing bi-sexual American bank robber, beautiful French sharpshooter and pioneering British film maker star in a tale of passion, vengeance and honor. “Lilian’s Last Dance,” spans eleven action-packed years, beginning in 1907, unfolding with a radical art movement, developing film industry and the Great War. Gertrude Stein, Alice B. Toklas have cameos in the new novel. Here they're on an Atlantic crossing. --archival art Outlaws, reporters, ranchers, actors, artists and ex-patriots converge, do battle, and occasionally break the law in settings ranging from New York, France and England to Texas, rural Montana and Hollywood. Real-life cameos include Mary Pickford, Douglas Fairbanks, D.W. Griffith, Conrad Hilton, Ty Cobb, Pablo Picasso, Charlie Chaplin, Edith Wharton, “Buffalo Bill” Cody, Gertrude Stein and many others celebrities of the day. AUTHORS BILL  Jones and Cookie crossed the Atlantic, tramped around London, Paris and Provence, and visited many U.S. states and five countries for inspiration on their characters' lives and haunts. Bruce Keller and Cookie returned to those places in editing and refining the original writing. Please check back here for updates.....at 7:30 a.m. Thursday, PST the novel was in cyber limbo, enroute to the "page" on eBooks. As we wait impatiently for the Amazon book to "appear"..... please be patience with us.  Last word is "Friday at latest...." We share your frustration and thank you for more than 100 e-mails and texts asking "when, when, when???" Soon as we know, we'll follow up to you with a link to meet and read "Lilian..."  Future blogs will tell the circuitous, lively, sometimes bittersweet tale of the novel's beginnings, sidetracks and completion. Remember, carpe diem.  Explore, learn, live and visit us Wednesdays, weekends and as the spirit moves at:  www.whereiscookie.com

'LILIAN'S LAST DANCE' OUT ON AMAZON! The cover of "Lilian's Last Dance" is a collaboration:  Cookie collected photos by Keller and Bill's cowboy watercolor. Celeste Barnett did the design.  Racy historical novel now available to readers  "...a marvelous romp through the history of film and performance, with a pure love for the stage, in whatever form it presents itself.....You'll love Lilian!" Acclaimed writer Ruth Rudner on “Lilian’s Last Dance.”  STORY By CHRISTENE MEYERS PHOTOS By BRUCE KELLER Click here ==>> to Dance with Lilian LIGHTS, ACTION,  drum roll! The book is out at last, a labor of love, a memorial, a tribute to time, technology, tenacity. And the human spirit! The project I developed many years ago with my late husband, William Jones, is a reality. Research took our writers to Durango, Mexico, birth place of bandit Pancho Villa, a minor player in the novel. --archival photo Billy and I began writing it during his healthy years (1997-2002). After his illness and death from cancer in 2005, I boxed up our book drafts, computer discs, travel journals and photos.  A few years ago, I dug out the boxes and began the rewrite,  mindful of the old show biz and cowboy admonition: "talk's cheap." NOW THAT IT'S  published, after a protracted "pregnancy," a bit of reflection seems right. "Lilian's Last Dance" was conceived on a lovely sunny drive in Arizona, heading home from a screening of "Good Will Hunting" in December of 1997 and a romantic night on the town. BILLY AND I PLOTTED the story on that drive, along with settings and characters, determining to visit every locale and research each plot point. We did:  Montana's wilderness, the fields and ranches of Hawaii (one of the characters is a Hawaiian paniolo with a Pancho Villa fetish), Australia's center, where one of the villains grew up, and many locales in Europe, South America and a dozen U.S. states. Our characters got around, and so did we~! The intricate story line spans an eleven-year period from 1907 to 1917. Vaudeville is alive and well, not yet fading.  The silent movies, the beloved "flickers" are paving the way for full-fledged "talkies." Bill Jones and Cookie traveled several times to Hawaii, researching for background of one of the novel's characters. A LOVE  triangle develops between an understated British filmmaker, alluring French born sharpshooter, and dashing Montana outlaw.  Bill and I spent time in both France and England, and made many U.S. driving trips from our summer home in Montana. Like the rep company, we explored Oklahoma, New Mexico, Nebraska and Texas. We spent many weekends in Hollywood, visiting the studio archives. Our years as film reviewers and my time on both sides of the footlights as performer and critic provided background and helpful contacts. WE PAID  attention to accents, landscape and weather, developing our characters' speech, dress and refining the plot. We had so much fun with our artists, actors, movie moguls, ranchers, cowboys, lawmakers and law breakers.  Each new place -- from Tulsa to Ten Sleep -- gave detail for the carnival of color we'd write the next few years. On the trail of detail for our female villain (a Hawaiian born bandit and Pancho Villa wannabe) we went to Pancho's birthplace, a barren parcel in  San Juan del Rio, Durango. We found the farm where he grew up, but since he was born in 1878 and killed in 1923, there was no one left who could remember him. It was fun to have an excuse to return to a favorite city.  Paris and its Eiffel Tower play a part in the action, as does Provence in the south. So we turned to books and museums, but through that visit got a feel for his home land, the scrubby hills he and his bandits galloped through. We tried our darndest to develop authentic people with believable traits. We visited San Francisco's Columbarium, around for  more than a century, setting for a cremation in "Lilian..." THE TITLE  character's French bakground gave us an excuse to visit Provence a couple times. Bill, a talented watercolor painter, took and taught watercolor classes during our times on the Continent. One of his paintings graces the cover of "Lilian's Last Dance." JUST AS our characters enact their theatrical drama, we felt as if we were players in the novel, too. We talked to working paniolos on the gorgeous Parker Ranch on the Big Island near Waimea.  We interviewed historians about turn-of-century bank robberies to determine what guns and disguises our outlaws might have. We visited railroad scholars for train trivia. We boned up on World War I, since parts of the novel take place on the Front.  We were thrilled to find Gertrude Stein's house in Paris, where she and Alice Toklas entertained literary and artistic luminaries. Paris and the Moulin Rouge attracted a return visit to Paris. The novel's action takes unfolds in France and the old West. We -- like the characters -- moved from the streets and bistros of Paris to London theaters that were around 100 years ago, to rural Montana, where we invented a secluded hide-out in the Beartooths. We splurged for a night at the famous Palmer House in Chicago, where our characters stayed, and we spent a day in San Francisco's Columbarium where one of the characters cremains are placed after the quake. REAL LIFE  cameos include Mary Pickford, Douglas Fairbanks, Charlie Chaplin, D. W. Griffith, Conrad Hilton, Edith Wharton, Ty Cobb, Pablo Picasso, “Buffalo Bill” Cody, Gertrude Stein and others. We read biographies of all of those, to enhance our feeling for them and our knowledge of their time. COMING SOON : Cookie and Keller forged a new trail for "Lilian's Last Dance," revisiting places she'd researched with the book's co-author, her late husband William Jones.  Here, Cookie and Keller enjoy a cabaret at the famed Moulin Rouge in Paris. With Billy departed since 2005, the dream of a novel rested in the garage in dusty boxes of computer discs, notebooks and travel photos. Cookie's partner of eight-plus years, Bruce Keller, urged her to "go for it." He suggested they recapture the momentum she'd lost for the project, spawned with Bill in the late 1990s. That meant revisiting settings for the action of "Lilian's Last Dance" -- London, Paris, the Texas panhandle, New York, rural Oklahoma, wilderness Montana, the Peruvian rain forest... The French born title character gave an excuse to return to Paris and Provence. Remember: "carpe diem" as you explore, learn and live. Check out "Lilian...." and   www.whereiscookie.com We publish Wednesdays and weekends.

European travels took us to Paris to Gertrude Stein's home Click here ==> Lilian's Last Dance The legendary Gertrude Stein and Alice B. Toklas made many Atlantic crossings, and are cameos in "Lilian's Last Dance."                            STORY By    CHRISTENE MEYERS Crossing the Atlantic on the Queen Elizabeth II was part of the fun research for "Lilian's Last Dance." Here William Jones and Christene Meyers enjoy! CREATION of "Lilian's Last Dance" took many years and trips to England, France, Australia, Peru and 11 North American states. The idea survived the deaths of my two husbands, Bruce Meyers in 1992, and William Jones, in 2005.   Bruce and I had dreams of a Broadway musical about a sharpshooter from France.  Billy and I collaborated on the concept that would become "Lilian's Last Dance." HE AND I  determined to visit each place featured in the book. In the "good years," before chemotherapy and radiation, we made exciting pilgrimages to Europe and South America's rain forests.  We took a dozen happy U.S. road trips. We plotted research weekends, working vacations and photo shoots. We read three dozen hefty books and studied articles on the post 1907-era.  We visited 20 museums and arranged interviews. We crossed the Atlantic three times, in the fashion of our invented characters and "real life" people who have cameos in our novel, including Gertrude Stein and Alice B. Toklas. OUR U.S. TRAVELS  took us through Texas, New Mexico, Nebraska, Ohio, Oklahoma, Montana, San Francisco and Los Angeles, places our characters inhabited before the novel's 1917 ending. The iconic Eiffel Tower plays a part in "Lilian....". Our characters came alive as we retraced their fictional footsteps.  We felt that we, too, were players in the novel. We talked to working paniolos on the beautiful Parker Ranch on the Big Island of Hawaii. A trip to the lush Peruvian rain forest was part of our research for the  birthplace of the character Elfego who becomes a famous painter in "Lilian...." We interviewed historians about turn-of-century bank robberies.  We talked to fashion and art experts, to determine what kinds of guns and disguises our outlaws might have used, what fashions and paintings people were buying. WE READ  a dozen books about World War I, since part of the action unfolds on the Front.  We located Gertrude Stein's salon in Paris, where she and Alice  entertained at their famed salon. We saw in the fabulous Musee d'orsay some of the paintings which hung in the jam-packed treasure trove collected by Stein, Toklas the Gertrude's brother Leo. Picasso's famous portrait of Stein. She hung it in her Paris salon, where our characters are invited.   We booked shows in the  much photographed Moulin Rouge.  Famous Parisian gardens, avenues and night clubs all play a part in the drama of "Lilian's Last Dance." Famous Parisian gardens, avenues and night clubs all play a part in the drama of "Lilian's Last Dance."  WE TRAMPED  all over Paris -- from the Left Bank to Montmartre to the Jardin du Luxembourg, to the Moulin Rouge and  the Tuileries Garden, all of which were frequented by Stein and her lover cum secretary, Toklas. We found the home where Stein entertained, at 27 rue de Fleurus.  There, our character, Elfego Fuentes, comes calling, along with "real life" writers Ernest Hemingway and Ezra Pound.  By chance, we met an elderly woman whose aspiring painter grandmother was taken under Stein's generous wing. She provided marvelous detail. PAINTER ELFEGO  is one of the novel's major characters, a South American born artist whom Stein befriends. So we booked an Amazon cruise to find a village where Elfego might have grown up.  We flew to Quito, Peru, then cruised through the rain forests to Brazil. Curiosity about the Hawaiian paniolo provided an excuse for a return trip to Hawaii's Big Island and the Parker Ranch. We were smudged by witch doctors. Deep in the Peruvian jungle, we found a village settled in the early 1900s.  This would be Elfego's birth place! More later... ********* WE'RE EXCITED  about early reviews for "Lilian's Last Dance." Here's one from Elle Pieffe, of Rome, who liked the title character and her relationship with painter Elfego Fuentes: "Lilian's daring, beautiful soul shines in the brush strokes of her Peruvian soul mate artist, in the sizzling shots of a western gunfire duel, in the silvery rain blessing Paris in winter.... a colorful portrait of a person we'd love to have met.....and won't forget! You'll love this book, absolutely. (Find "Lilian's Last Dance" on Amazon eBooks.) Bill Jones painted this cowboy watercolor on a research trip to Hawaii. Terrific trio: Cortez Johnson, Jacque Wilke, DeLeon Dallas are terrific in San Diego Rep's "Honky," up next at: www.whereiscookie COMING SOON:   Having fun revisiting the locales we researched for "Lilian's Last Dance."  Soon, we hit Hawaii to bone up on the Hawaiian paniolo, or cowboy, who figures in the plot of "Lilian..." in the form of a wahine paniolo, yes, a female, a cowgirl in love with Pancho Villa.  But first, we critique the raucous "Honky," just opened at San Diego Repertory Theatre.  It's a deftly written, well acted play about racism, consumerism, marketing hype and a drug that could cure bigotry!  Remember: carpe diem, so explore, learn and live and visit us Wednesdays and weekends at:   www.whereiscookie.com

THE FOLLOWING SPECIAL posting is one of several recently published newspaper articles.  It ran in the hometown paper of novelist Christene Meyers, a Montana native launching an international book tour in Australia and New Zealand.  Meyers grew up in Montana, where the novel is partly set. It is garnering praise on Amazon as an eBook. "LILIAN'S LAST DANCE" features a love triangle, and a troupe of actors in New York, Europe and Los Angeles during the transition from silent movies to talkies.  Meyers began writing as a 17-year old student at Rocky Mountain College and worked as editor, arts review and travel writer for many years. She is also a poet, musician and performer, pursuing an advanced degree in poetry and play writing at Sarah Lawrence College. WHERE IS COOKIE resumes its regular Wednesday and weekend postings Dec. 3, with a look at San Diego's innovative Cygnet Theatre and its holiday fare.   CLICK HERE TO BUY Lilian's Last Dance

Two new fires erupted as crews remove tons of debris from Eaton and Pacific Palisades fire areas, fearing mudslides and more damage as thousands of tons of debris are swept away in forecast rains. Red Flag warnings increased even into northern and central California. --FIRE PHOTOS COURTESY AP, Getty Images, MSN NEW FIRES, INCREASING WINDS, MORE EVACUATIONS: FIRE CONTAINMENT INCHES ALONG, TONS OF DEBRIS CLEARED, CALIFORNIA BRACES FOR RAIN, MUDSLIDES   The American Red Cross and Project HOPE are helping thousands of evacuees, first responders and fire crews. To help with food, hygiene, shelter, counseling: www.redcross.org ; www.projecthope.org Sunset Boulevard and the Pantages Theatre, built in 1930 as a Vaudeville house, film and performance venue.  For many years it hosted the Academy Awards. It holds a special place in the hearts of writer Christene Meyers, and her photographer husband, Bruce Keller, whose mother Jean, an art major, left University of Minnesota in 1944 to rent a flat at Hollywood and Vine & design window displays.  Meyers and Keller visit Los Angeles often for theater, movies &"Jeopardy" tapings.    HISTORY AS FIRES SWEEP OVER  AN OLD FRIEND WHO WILL RISE FROM ASHES As a movie reviewer at The Billings Gazette, the writer spent   weekends in Los Angeles, where she interviewed hundreds of film stars, directors, producers, screen writers and designers and covered the Oscars.  The eerie sight of burned trees with downtown L.A. in the background  greets homeowners and emergency crews in Altadena, Pacific Palisades and other areas. L.A. now meets the threat of mudslides and more damage with rains forecast. As of Wednesday, more than 12,000 structures are destroyed, 27 are dead, more missing, and 60 square miles are burned.                                                               --Photo Courtesy Getty Images Aftermath of the Pacific Palisades fire. "The "destruction is unbelievable," a friend said today. Jan 23 fire update: Two new fires erupted north of Los Angeles. Over 100,000 people now have received evacuation orders with another 15,000 receiving evacuation warnings. Volunteers and fire crew are following an emergency order issued yesterday to clear debris ahead of forecast rains. Although rain is badly needed, it creates another risk: Mudslides, erosion  and floods, caused by rubble left by the fires. Hughes fire is at 14 percent containment. Sepulveda fire is nearly extinguished. Containment of the older fires is at 80 -90 per cent for Palisades, Eaton, Kenneth and Hurst fires. The Palisades fire invaded Pacific Palisades, Malibu, and Topanga and Mandeville canyons. Firefighters inched further as the Eaton fire caused destruction in Altadena, Pasadena and Sierra Madre — and is at 89% containment, according to Cal Fire. Damage is expected to surpass $250 billion, which would make these fires the costliest in U.S. history. We grieve devastating loss with dear friends whose childhood homes have been leveled, animals lost, personal memorabilia gone. Getty Center above Brentwood will reopen Jan. 28. But the priceless Getty Villa --while saved -- is closed indefinitely because of hazardous roads and leveled surroundings in the ghost town of Pacific Palisades.  Prolonged drought and renewed Santa Ana winds created possibly the worst wildfires in the country's history. Please keep imperiled Los Angeles in your thoughts and prayers and continue to check here and on Facebook daily. We offer ways people can help: www.redcross.org ; www.projecthope.org STORY By CHRISTENE MEYERS PHOTOS By BRUCE KELLER                                                                                                       and newspaper archives  I DIDN'T REALIZE  how much Los Angeles means to me until the fires. Now I understand.   Debbie Reynolds and daughter Carrie Fisher, interviewed at a Hollywood awards ceremony. A new star on the Hollywood Walk of Fame, at   Hollywood and Vine, awaits its a new gold name.   IN YEARS of globe trotting, I've spent more time visiting Los Angeles than any other place in the world, with New York, London and Barcelona the runners up. Makeup wizard and special effcts artist Andy Schoneberg and his partner and fellow artist Nicole Michaud, with Cookie and Keller and Schoneberg's Humphrey Bogart creation. He has lived in Los Angeles for the past 40 years.     ALL TOGETHER  I've logged about 7 years in the city -- in visits ranging from 3 days to 2 and 3 weeks. Trips to Disneyland as a young person, a honeymoon trip with late husband Bruce Meyers, five weeks with late husband Bill Jones researching our historical novel partly set in Los Angeles, and at least 10 visits a year during my 25-plus years as a movie critic. I covered the Oscars in the day when newspapers were king and the studios invited select film reviewers for world premiers and interviews. I've strolled the Walk of Keller's parents were married in Los Angeles in post-WWII. Meet William and Jean Keller. Fame many times, playing tourist, often catching sight of a star. Sometimes they remembered me -- Christopher Reeve and Bill Murray did. I've weaseled my way into Hollywood piano bars to play when the paid pianists took a break. I've sunbathed by the rooftop pool at the historic Hoxton Hotel, which opened in 1924 with star studded fun.  Looking like a mirage, Echo Mountain House was a favorite escape for sunshine and fruit groves. The Pasadena area was called "America's Italy."    MOST PEOPLE don't realize that there was a Los Angeles long before the metropolis we know today sprang from the desert.  L.A. was founded in 1781 by Spanish colonists and Pasadena has long been a popular winter destination for wealthy folks. The gorgeous chaparral and wildflower terrain that has been scorched in at least 8 wildfires reminded J. Paul Getty of his beloved First week's fire coverage, click here Italy. So much so that he built a lavish museum, Getty Villa, a replica of a luxurious compound destroyed by Vesuvius. There, in a building now closed but safe, his $10 billion collection awaits reopening probably months down the road.  Bruce Keller and Christene "Cookie" Meyers at the Ahmanson Theatre, L.A. We photographed Getty Villa just before it closed indefinitely. It is J. Paul Getty's multi-billion- dollar museum, a showcase for his collection.  The landscape that attracted the rich for a century is now a charred graveyard. As it burns, its ashes cover the past of a city of remarkable incarnations. ON ONE  sunny afternoon 35 years ago, Bill Jones and I found the remains of Echo Mountain House, built in 1894.  The elegant Swiss inspired chalet was an astronomical observatory and hide-away for Gilded Age partiers.  They dressed to the nines for elegant dinner-dance parties and arrived by cable railway.  When the regular pianist takes a break, Cookie often charms herself into a piano bar to play a few sets, here at the Omni Lounge in L.A. IN NEARBY HOLLYWOOD,   I interviewed Debbie Reynolds and her daughter, Carrie Fisher, Shirley MacLaine, Jack Nicholson, Robert Redford, Sally Field, Christopher Reeve, Robert DeNiro, Meryl Streep, Dolly Parton, Liza Minnelli, Fred Astaire and many others. We stayed in posh hotels:  Chateau Marmont, The Beverly Hills and Beverly Wilshire, the stately Roosevelt, where Mary Pickford and Douglas Fairbanks hung out.   Walt Disney Concert Hall hosts world class  musicians and conductors and is a regular player  in Cookie's world of theater and lively arts. Bruce Keller and his mom, Jean  Keller, sailed the harbors of Long Beach, Oceanside, etc. WITH BRUCE  Keller (aka "Bruce the Second,") I spend weekends 90 miles north of our San Diego home in L.A.  It is beloved by Keller because his mother came to the city as a young college arts student on spring break from University of Minnesota.  She never left.  For the past 18 years, we've watched fabulous opera and thrilled to Gustavo Dudamel's baton conducting the L.A. philharmonic at beautiful Walt Disney Concert Hall. We see plays at the Ahmanson, Mark Taper and Kirk Douglas theaters. We've been to a half-dozen "Jeopardy" tapings and spent time with the late Alex Trebek. We visit many friends, including Wyoming born Andy Schoenberg, a well known makeup artist and old pal, and Keller's oldest friend, Bob Hulbert. He and his wife Sue host us for musical gatherings where we sing show tunes and celebrate a long friendship. I'm the only "non-native" as Bruce, Bob and Sue are all southern Californians with long ties to Los Angeles. Keller took this night photo of the Pantages on our most recent visit. READING OF the fires is like hearing an old friend has a terminal illness. I pray to my agnostic gods that this city beloved by me, Keller and millions of others will rebound quickly, rising from the ashes to reinvent itself once again. As it does -- and as soon as possible -- we'll be back. For the show must go on. ************************************************************************************************************   Marielle Young as Luna and Jin Park as Jane forge a friendship in their mutual loneliness. BEST BET : If you love serious theater, with welcome comic relief, head for North Coast Repertory Theatre for "The Heart Sellers." It's a play for play goers, with a perfect theatrical triumvirate. New Yorker Kat Yen's deft direction thoughtfully develops Lloyd Suh's clever script, delivered by two splendid actors with delightful chemistry. The theme is integration-- two wives uprooted from their cultures to support their husbands' education and careers in an unnamed U.S. city. Playwright Suh created two endearing characters in this subtle and sometimes raucous  production. They have just met and are learning to trust one another. Marielle Young plays Luna, a gregarious Filipina woman, endowing her character with brashness and tender enthusiasm. Playing her reluctant Korean new friend Jane is Jin Park who gives her character just the right balance of reserve and delight.  Through two capable actors, a touching friendship develops. When Luna sings "Top of the World," that sweet Carpenters' song, we take  an emotional ride with her. It's a play of satisfying depth and subtlety with welcome moments of slapstick and lightness. It takes great talent to pull off a two- person show which never fails to engage and sustain us.  The collaboration of writer, director and actors opens the year at the Rep with a five-star show on an eye-catching set. northcoastrep.org  or call for tickets, call 858-481-1055 ***********************************************************************************  Bruce Keller and Christene "Cookie" Meyers on the trail of dolphins and whales, keeping safe distance from the fires.  Find some fire relief next week in southern California. ON TAP: Concerned about the tragic fires, worried about the safety of our many friends in Los Angeles and the havoc and loss of the terrible fires, we are thankful for progress on containment, and for our safety in San Diego. Now, we travel north of the city to romp with the whales. They're migrating from the north to the warm waters of the Baja and we're on their trail.  Meanwhile, keep the people and critters of Los Angeles in your hearts and minds, remembering to explore, learn, live and be kind, generous and helpful. Catch us weekly for stories on performance, nature, travel and -- sometimes -- breaking news, good or bad: www.whereiscookie.com