Little Big Man Symposium: Cookie Reflects on a Montana Movie That Changed Hollywood

                                         

More than a half century after its release, the Montana-made movie, "Little Big Man" is still entertaining, stimulating conversation and encouraging consideration of the plight of indigenous people and the white man's role in that.

STORY By CHRISTENE MEYERS

PHOTOS By BRUCE KELLER

and courtesy Cinema Center Films

Editor's Note: This piece was reviewed and updated July 30, 2026

Editor's note: As a young reporter, Christene Meyers covered the making of 

"Little Big Man," and its world premiere. She was among 

panel participants discussing the groundbreaking Montana made movie. 

When Little Big Man premiered 53 years ago, few could have predicted its lasting impact on Hollywood or Montana filmmaking. Christine "Cookie" Myers was just 20 years old when she became part of the groundbreaking production. Decades later, she returned as a panelist at the Little Big Man Symposium, sharing firsthand stories about working on the classic film, its world premiere, and the unforgettable people who helped make movie history in Big Sky Country.

Chief Dan George portrayed Old Lodge Skins, receiving second billing to Dustin Hoffman, garnering an Academy Award nomination and other awards for his memorable performance.

There is an endless supply of white men.  There has always been a limited number of human beings.” -- Old Lodge Skins

LITTLE BIG HORN DRAWS SCHOLARS, EXTRAS, MOVIE AND HISTORY BUFFS TO PONDER CLASSIC FILM   

Actor Dustin Hoffman on location during the 1969 filming of "Little Big Man," photographed on the Earl and Toni Rosell Ranch near Billings.

HOLLYWOOD came to Montana in 1969 to film a movie that would change the way the world views indigenous people.

When it debuted during the holidays of 1970, "Little Big Man" generated a then impressive $31 million box office. It premiered in time to qualify for Oscar consideration the next spring.

A recent seminar in Hardin, Montana, celebrated the movie's contribution to the humanities and the ways in which it portrayed native Americans as "human beings."

DUSTIN HOFFMAN was a young looking 33 -- just three years after he rose to fame as Benjamin in "The Graduate," seduced by an older Mrs. Robinson, his parents' friend.

Genius makeup artist Dick Smith created a 121-year old character in Dustin Hoffman's Jack Crabb.

Through the make-up wizardry of Hollywood artist Dick Smith, Hoffman's character Jack Crabb appears first as a 121-year old man, relating the story of his remarkable life to a reporter. The character undergoes many transformations in both the white and native worlds, leading many lives, including as a scout for General George Armstrong Custer during the infamous Indian Wars. Crabb's life is as complex as any portrayed in the movies.

Panelists discussed the impact of the film, and acting as extras in the award-winning movie.

CROW AND Cheyenne men and women – elderly now -- were 53 years younger when they acted along side Hoffman. They portrayed members of Little Big Man's adopted Indian family and for the real-life families, the picture gave their lives an economic boost. Panelists at a three-day "Little Big Man" symposium in Hardin recalled that dozens of native people earned from $10 or $25 a day -- more if they had their own horse -- during the filming.

The gathering, sponsored by Little 

Symposium organizer Tim Bernardis spent years studying "Little Big Man" and planning for the festival marking its 53rd anniversary.

Big Horn College, celebrated Montana’s connection to the film. It was the brainchild of author and veteran Crow Cultural Center library director Tim Bernardis, lifelong film aficionado. He spent years studying the movie, based on a 1964 novel by Thomas Berger and directed by Oscar winner Arthur Penn. Bernardis dreamed of a symposium to spotlight its impact and secured a grant to make it happen. Planned for 2020, 50 years after the film’s 1970 debut, the seminar was derailed by COVID.

Bernardis wasn’t about to let the project be lost. “It is too important; we kept the dream alive,” he said.

THE GROUNDBREAKING film begins with Crabb recalling the killing of his parents on their way west, and his rescue by Indians. Crabb describes multiple incarnations in diverse worlds, including earning the name "Little Big Man" from his adopted grandfather, Old Lodge Skins. His unique perspective and visits with his wise elder teach him the ways of the “human beings,” as Old Lodge Skins describes his people. Hoffman’s convincing acting continues to fascinate, 53 years after the film’s debut to critical acclaim.

A scene from the film, "Little Big Man," now 53 years old, with this battle scene shot on location at Crow Agency, near the actual battle site. Some of the actors spoke at the seminar.

During three lively and varied days, three years after the COVID postponement, presenters considered a wide range of topics, from academic insights to emotional musings and humorous, touching impressions.   Some gave vivid back stories, examples of present-day racism, feeling that the culture is back-sliding in a sea of increasing bigotry.

Symposium emcee Sidney Chip Fitzpatrick Jr., related a vivid example of recent racism experienced when an elderly white woman accosted his daughter with verbal slurs in a Billings store. “We still have a lot of work to do,” Fitzpatrick said, "to make certain that native Americans are regarded as human beings, not caricature  

drunks and other stereotypes.”

Sidney "Chip" Fitzpatrick Jr acted as emcee at the fete.

Young beautifully dressed Indian girls delighted with their performances during the "LBM" symposium.

AMONG THE TOPICS was an examination of Richard Mulligan's portrayal of George Armstrong Custer, the man whose “Last Stand” came on a grassy knoll near Hardin. The Little Bighorn battle scenes were filmed on location at Crow Agency, near the actual battle site, lending authenticity to the movie.  Between presentations, seminar guests recalled the changing of the name Custer Battlefield to Little Bighorn Battlefield National Monument in 1991. “It is important to recognize the indigenous perspective,” said one woman. “A very good thing.”

Artists, historians, townsfolk and friends mingled to discuss the movie and its impact.

DANCERS AND drummers entertained at lunch time in the school cafeteria, while guests and participants reminisced about the movie's beginnings.  Director Penn read the book in 1966 and loved it. Billings mayor Willard Fraser got wind of the project and heard Arizona and Mexico were being considered as locations.

He recruited arts advocate and rancher Earl Rosell to help sell Montana to Hollywood.  Fraser called upon his Indian friends—Johnny Wooden Legs, Edison Real Bird, Henry Old Coyote, Susie Yellowtail and others -- and with Rosell, they "sold" the Montana location, making lobbying trips to Hollywood and Cinema Center Films on their own dime. 

Fraser biographer Lou Mandler described Fraser’s courting of “Little Big Man” producer Stuart Millar. The persistent, Montana boosting mayor toured Millar and movie scouts around Montana, enumerating the advantages of shooting a motion picture about Indians in authentic Indian country. 

“The realism of the film would boost box office sales,” Fraser wrote. His lobbying proved effective and filming began on the Rosell ranch in summer of 1969. Rosell even scored a cameo as a soldier who spares Little Big Man when he realizes the Dustin Hoffman character is white, not Indian. 

Rene Rosell Yarborough and Christene "Cookie" Meyers" were panelists. Rosell is holding the sword her father used in a cameo scene.

Here are links to some of the most watched clips from the movie, featuring Dustin Hoffman as Jack Crabb and Richard Mulligan as a deranged, egocentric General Custer. 

https://www.youtube.com/watch?v=kflV0EBLBWIhttps://www.youtube.com/watch?

v=4hJ9igq1zZ8https://www.youtube.com/watch?

For Cookie, the symposium was more than a reunion—it was a chance to celebrate a film that challenged stereotypes, showcased Montana's spectacular landscapes, and continues to inspire audiences around the world. Revisiting Little Big Man after 53 years reminded everyone that great stories, remarkable places, and lifelong friendships never fade. They're simply waiting to be discovered by a new generation of travelers and film lovers.

The wedding/birthday party at High Chaparral on the West Fork of the Stillwater River, Montana.

UP NEXT:  Gentle readers: few things escape the eye of the writer of this column. But Bruce William Keller's surprise proposal took my breath away and left me in a rare stunned silence.  It happened during a clan reunion celebrating my birthday -- and will never be forgotten.  I said "Yes," of course, actually, "I'd be delighted!"

We've been together more than 16 years and are legal domestic partners in the state of California. But we'd not discussed tying the proverbial knot. So when he asked -- on bended knee -- I thought "why not?" His co-conspirators were our niece and nephew, Amarylla and Steve.  He officiated at the ceremony, during the birthday tribute.

Coming next. Meanwhile, remember to explore, learn and live and catch us weekly for a fresh spin on the arts, travel, nature, family and more: www.whereiscookie.com